Wednesday, September 14, 2011

MENTAL MASTURBATION PART VII


Every so often, I post a list of great films that go unrecognized with casual movie fans. Some are current, some are older, some are domestic, some are foreign, but they're all brilliant movies you should check out if you have a chance.

If a film has a * symbol next to it, that means that the selected choice is an exceptional stand out.

Lifeboat (Alfred Hitchcock, 1944)
Little Fugitive (Ray Ashley, Morris Engel, & Ruth Orkin, 1953)
Shadows (John Cassavetes, 1959)
An Occurence at Owl Creek Bridge (Robert Enrico, 1962) *
Viy (Georgi Kropachyov & Konstantin Yershov, 1967)
The Devils (Ken Russell, 1971) *
Blue Collar (Paul Schrader, 1978)
Das Boot (Wolfgang Petersen, 1981)
Streets of Fire (Walter Hill, 1984)
Return to Oz (Walter Murch, 1985)
The Woman in Black (Herbert Wise, 1989)
Begotten (E. Elias Merhige, 1990)
Quick Change (Howard Franklin, & Bill Murray, 1990)
Proof (Jocelyn Moorhouse, 1991)
Howards End (James Ivory, 1992)
The Age of Innocence (Martin Scorsese, 1993)
The Brothers McMullen (Edward Burns, 1995)
Multi-Facial (Vin Diesel, 1995)
Heavy (James Mangold, 1995)
See the Sea (Fran├žois Ozon, 1997)
Cube (Vincenzo Natali, 1997)
Bella Mafia (David Greene, 1997)
Flowergirl (Cate Shortland, 1999)
Boiler Room (Ben Younger, 2000)
The Piano Teacher (Michael Haneke, 2001)
Wonderland (James Cox, 2003)
Lymelife (Derick Martini, 2008)
Tyrranosaur (Paddy Considine, 2011)
Bellflower (Evan Glodell, 2011)

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